The self-taught, stylistically distinct jazz pianist who sued his record label and became a trailblazer for artists’ rights and wrote “Misty” on an airplane in 1954… Erroll Garner of course! #jazzmonth #jazzlegends #jazzgiant #legend #musiclegend #errollgarner #icon #pianist #piano #jazzpiano #selftaught #qwesttv #selftaught #musicvideo #videoclip | Qwest TV

Erroll Garner performing "Something" (written by George Harrison) on France's Jazz Land TV show in 1972 with Ernest McCarty (bass), Jimmie Smith (drums) and Jose Mangual (percussion). A studio recording of "Something" is included on the remastered 'Gemini' album from the Octave Remastered Series: | Erroll Garner

Erroll Garner performing "For Once In My Life" on the Flip Wilson show on October 7, 1971. Erroll was a frequent guest on late night shows including the Tonight Show with Johnny Carson, the Tonight with Steve Allen, the Flip Wilson Show, and the Mike Douglas Show, among others. | Erroll Garner

Erroll Garner performing “Penthouse Serenade” with Eddie Calhoun on bass and Kelly Martin on drums live on Jazz 625. From his earliest years, Erroll Garner's relationship with music was defined by an intuitive genius. By four, he was recreating melodies on the piano by ear, soon revealing a photographic memory for sound. He could absorb a lengthy and intricate piece after a single hearing, later performing it with flawless recall. This innate ability meant he never learned to read music, buildin

Dizzy Gillespie said: "Earl Hines changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that." Erroll Garner said, "When you talk about greatness, you talk about Art Tatum and Earl Hines." Earl Hines changed the sound of jazz piano by thinking beyond the keyboard. His horn-like attack, broken octaves, and rhythmic independence moved the instrument out of stride’s left-hand patterns and into a more modern, elastic language. That approach