Boyle discusses adapting James Graham’s Ink, tracing the roots of Britain’s tabloid revolution and exploring how the Sun helped create the attention economy that now shapes social media and modern ...

Years in the making, Pakeezah is a haunting collaboration between a dying star and the artists around her. As a new restoration screens at LFF, writer and filmmaker Nasheed Qamar Faruqi explores one ...

Ahead of the release of Fatherland, Pawel Pawlikowski’s latest black-and-white vignette of mid-century Europe, we round up other films from the decade so far which reclaim monochrome from film history ...

Whether playing an abusive filmmaker or an architect consumed by ambition, Javier Bardem’s latest characters struggle to see the harm they inflict on those around them. He discusses flawed masculinity ...

Jessie Buckley and Gwendoline Christie joined the jury this year to present the awards to the winning filmmakers, who are selected for their creative audacity.

Ahead of the UK release of his acclaimed new film Possible Love, we pick a beginner’s path through the work of South Korea’s master of slow-burn drama and the emotional gut-punch.

At his LFF Screen Talk, the acclaimed actor reflected on fame, craft and queer representation as he discussed Elsinore, his deeply personal new film about the late Hamlet star Ian Charleson.

Talking at her LFF Screen Talk, Coppola spoke about the importance of point of view, a key purchase in a London record shop, and why she thought no one would like Lost in Translation.

The BFI has announced its latest UK Global Screen Fund awards. Financed through the UK government’s Department for Digital, Culture, Media and Sport ( DCMS ), the awards allocate a further £1,233,203 ...

Andrew Garfield leads the 1381 Peasants’ Revolt in a historical drama from Paul Greengrass that keeps the action moving, but loses its character development in the mud.

At the time that I made The Devils, I was a devout Catholic, and secure in my faith. I knew I wasn’t making a pornographic film. Far from it. In fact, the movie had the blessing of the Jesuits. Even ...

Theo Rollason’s remarkable found-footage documentary examines the wider political context that shaped Derek Jarman’s creation of his 1991 drama Edward II.