The music gives complexity and dimension to this gritty and decadent tale. But the production has shifted the action to fascist Italy of the 1930s, setting up weird geographical and chronological ...
The story of Salome comes to us from the Bible. She is the daughter of Herodias and Herod II. Her mother later marries her ...
Original director David McVicar’s famous production of the Richard Strauss opera gets its bloody, eye-popping U.S. debut in ...
Across history, the opera has run afoul of censors for its brutality and nudity. The current production at the Lyric Opera of Chicago runs through Feb. 14.
A scandalous fellow wrote a scandalous play which became a scandalous opera. Kelly Slawson brings a dazzlingly powerful, beautiful voice to the title role. It’s an unforgettable triumph in a real tour ...
Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
The Biblical figure of Salome, Princess of Judea, who dances before Herod Antipas and demands the head of John the Baptist as a reward, infiltrated late-nineteenth-century culture as an agent of ...
Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...
Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...
Elza van den Heever in the title role and Peter Mattei as Jochanaan in Strauss’s Salome at the Metropolitan Opera. Photo: Evan Zimmerman/Met Opera Strauss’s Salome returned to the Metropolitan Opera ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...
Even without an over-the-top production—and the Met has had a couple of those—Richard Strauss’s SALOME has been outraging audiences for more than 120 years. This week’s new take by director Claus Guth ...