Lyric stages Richard Strauss's twisted but thrilling Salome, based on Oscar Wilde's play, for the first time in 20 years.

The music gives complexity and dimension to this gritty and decadent tale. But the production has shifted the action to ...

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Utah County will begin construction Tuesday on a project that will make significant improvements to the recreation area around Bridal Veil Falls. The county said the $7 million, two-year project using ...

Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...

Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...

Even without an over-the-top production—and the Met has had a couple of those—Richard Strauss’s SALOME has been outraging audiences for more than 120 years. This week’s new take by director Claus Guth ...

Observer connected with the breakout star to discuss her commanding voice, bold theatricality and Claus Guth's provocative new 'Salome.' Elza van den Heever at the Kaiserin in Die Frau ohne Schatten.

One of the biggest challenges opera companies face is balancing their audiences’ unquenchable thirst for seeing the same dozen or so classic works with the need to present less-known and newer works ...