A dangerously erotic production, Maxim Didenko’s Salomé dazzles with a decadent set by Galya Solodovnikova, uncanny music by Louis Lebée, and excellent performances by the lead cast. Oscar Wilde’s ...
Prepared by Lisa Wong, the chorus brought heroic weight and clarity to Deutsch’s score. It hovered in close harmonies, burst into block-like proclamations, or whispered German consonants like wind in ...
CLEVELAND — Can't make it to Severance Music Center to hear this season's Cleveland Orchestra concerts in person? You'll still have an opportunity to take in the sounds of one of America's finest ...
CLEVELAND, Ohio – Single tickets for The Cleveland Orchestra’s 2025-26 Classical Season have officially gone on sale today (August 14). Available tickets include the Recital Series, along with ...
The story of Salome, the niece and stepdaughter of the biblical King Herod, and her pursuit of John the Baptist has inspired countless works, from theater productions and paintings to films and ...
Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
“A Man of No Importance,” an off-Broadway musical based on the 1994 film that starred Albert Finney as a Dublin bus conductor with an obsession for Oscar Wilde and a yen for amateur theatricals, was a ...
The Biblical figure of Salome, Princess of Judea, who dances before Herod Antipas and demands the head of John the Baptist as a reward, infiltrated late-nineteenth-century culture as an agent of ...
NEW YORK – Dan Schlosberg remembers the day 11 years ago when his upstart opera company put on its first performance — in a yoga studio before an audience of 30 people. “We did Kurt Weill’s ‘The Seven ...
Read full article: ‘I thought the roof was ripping off’: The aftermath of overnight storms in Comal County NEW YORK – Dan Schlosberg remembers the day 11 years ago when his upstart opera company put ...
Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...
Describing the new Metropolitan Opera production of “Salome” feels a bit like recounting the details of a dream: The lines start to blur, the colors begin to drain, the details dissolve in the telling ...
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