The Utah Review

Luminous pinnacle: Repertory Dance Theatre’s Ovation, choroegraphic feast of Thanksgiving, satisfies appreciative audience

In between pieces in Repertory Dance Theatre (RDT)’s sensational Ovation production, Nicholas Cendese, a former RDT dancer ...
The Utah Review

RDT Ovation

In between pieces in Repertory Dance Theatre (RDT)’s sensational Ovation production, Nicholas Cendese, a former RDT dancer who is now executive/artistic co-director for the company, talked briefly ...
The Utah Review

Norbert De La Cruz III

In between pieces in Repertory Dance Theatre (RDT)’s sensational Ovation production, Nicholas Cendese, a former RDT dancer who is now executive/artistic co-director for the company, talked briefly ...
The Utah Review

Voodoo Theatre Company’s production of Jen Silverman’s The Moors effectively extracts its most important epiphanic impact

In fashioning complicated characters that encourage audiences to handle more than one thought about a person in their minds, ...
The Utah Review

Ellie Otis

In fashioning complicated characters that encourage audiences to handle more than one thought about a person in their minds, playwright Jen Silverman has always deftly handled themes of isolation, ...
The Utah Review

The Moors

That certainly is the case in The Moors (2017) and the latest Voodoo Theatre … Read more ...
The Utah Review

Les Roka

I am a native of Toledo, Ohio, having received my Ph.D. in journalism and mass communication from Ohio University's Scripps School of Journalism in 2002. In addition to teaching at Utah State ...