Daniel Day-Lewis brings potent realism to an otherwise uneven debut about a broken veteran, directed by the actor’s son Ronan Day-Lewis.

Joel Edgerton gives a career-best performance as a travelling labourer in Clint Bentley’s extraordinary film about a period of extraordinary change in early 20th century America.

Jennifer Lawrence stars in Lynne Ramsay’s first film in eight years: as a woman grappling with the emotional strain of early parenthood. She tells us about the influence of Cassavetes, her own ...

The Kwame Brathwaite Story is chosen as Best British Discovery in the annual audience vote at the end of this year’s BFI London Film Festival.

Our first releases of 2026 include a 5-film collection of the great American documentary filmmaker Frederick Wiseman and a 1960s British B-film much loved by Quentin Tarantino and Edgar Wright.

Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

Our Railway 200 series continues with a look at trains in British animation, from a 1980s Ovaltine advert to a psychedelic gem from the Yellow Submarine team.

Edward Berger’s film about a professional gambler drowning in casino debts feels lacklustre compared to the gambling-movie classics that serve as its clear inspiration.

This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.

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The collection includes Jones’s personal 16mm copies of the Monty Python feature films.

I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.