The cacophonies that seemed so arbitrary when “Salome” was a novelty now sound only like appropriate theatrical dissonances in a predominantly euphonious score. Granting that the Metropolitan stage ...
There is a way to tell the story of history that is not a chronology but a choreography. Time moves like a dancer drawing near, withdrawing, circling, and each age is the loosening of a veil that once ...
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The artist wanted to get away from ‘‘the clarity with which we think we see: not to be rid of clarity but to challenge us into another way of seeing’’. What do we see, wonders Modjeska, “if the layers ...
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