From its insidious opening clarinet solo, Richard Strauss’s “Salome” is a creepy, unsettling piece of theater, its story rooted in unhealthy sexual obsession. For his new production at the ...
Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...
Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...
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