Pinetop Perkins, the Mississippi Delta-born piano player who started a solo career in his 70s after performing with fellow bluesman Muddy Waters for more than a decade, has died. He was 97. He died ...
A highly influential blues and boogie-woogie pianist, Pinetop Perkins spent over 10 years playing with the legendary Muddy Waters before going on to enjoy widespread acclaim as a solo act. Joe Willie ...
Pinetop Perkins was one of the last great Mississippi bluesmen still performing. He began playing blues around 1927 and is widely regarded as one of the best blues pianists. He created a style of ...
If you wanted to write a novel about Delta blues, you could cover a lot of ground with one main character — Pinetop Perkins. Born in 1913 in Belzoni, Miss., cousin to Elmore James and “Homesick” James ...
Muddy Waters was looking for a new piano player when chain-smoking journeyman Pinetop Perkins showed off his aggressive keyboarding during a jam session. “He liked what he heard. The rest is history,” ...
Pinetop Perkins, a piano player whose life was a one-man tour through 20th century blues music, died Monday in Austin, Texas. He was 97, just coming off a Grammy award and still playing regularly at ...
. Perkins was around 30 at the time, and had been playing professionally since he was a teen in the ’20s. In 2010, Perkins and Smith are touring together. They’ll be at the State Theatre Friday.
Music commentator and admitted carrier of the "Boogie-Woogie Flu," Mitch Myers, takes us on an audio tour of the history of this unique American musical genre. From NPR News, this is ALL THINGS ...
Pinetop's Blues; G-Flat Blues; Streamline Train; Pitchin' Boogie; Mistaken Blues; Travelin' Blues; I Don't Know; Mercy Blues; Doll House Boogie; Whistlin' Blues; Deep Morgan; 22nd Street Stomp; Pickin ...
One of the most unfortunate things about interviewing the Rev. Billy C. Wirtz is that the fun of it will never come across in print. In conversation as well as in performance, Wirtz can spin off on ...
Boogie-woogie, or barrelhouse, is a kind of blues cousin to ragtime in which the pianist maintains a rolling rhythm with the right hand (akin to a banjo player strumming at a dance) while the left ...