Matthias Pintscher’s first opera in 20 years invites audiences to find their own meaning in a macabre 19th-century tale. By Jeffrey Arlo Brown Christian Thielemann’s inaugural new production as the ...
Opera thrives on competition as much as collaboration—on who can sing higher, louder, longer, more passionately; what production can seduce or scandalize most abundantly; which company can hoard the ...
“My dearest dear.” sang the baritone to the soprano at West Berlin’s Deutsche Opera Berlin last week, “a triumph awaits you.” As a prophet,Baritone Thomas Stewart was only half right. For their roles ...
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